Ceramic
Arts
Art Ð151-3104 3106 & ¥ M & W ¥ 3:00 Ð 8:20 p.m. Fall 04
Mt. San Jacinto College
Instructor: Andy Clift
Email: msjc@claystation.com Phone: (909) 672-6752 Extension 1588 - Mailbox#: 483
Web: http://claystation.com ¥ Class
Web Site: http://claystation.com/education/
This
course, Ceramic Arts, will explore the many facets of Ceramic Art. Throughout
this course you will be exposed to many processes and techniques in creating
ceramic art - such as learning how to throw on the potters wheel, hand
building, glazing, and ceramic firing processes. As this course progresses, you
will also survey a diverse range of contemporary Ceramics, in addition to
learning some of the historical background of Ceramic Art. Furthermore, this
course will illustrate approaches to exercise your creativity in constructing
functional and nonfunctional ceramic objects, while integrating the
fundamentals of art in each project.
This
class can be repeated up to four times, allowing students to learn and perfect
skills in the creation and decoration of ceramic forms.
¥ Familiarize and grasp a sense of
working with clay and its processes.
¥ Complete
and demonstrate an understanding of each project given.
¥ Apply
ceramics terminology in creating and evaluating class projects.
¥ Distinguish
between and describe varieties of clay and their qualities.
¥ Employ
safety procedures and practices.
¥ Learn
to operate various studio equipment, such as kilns, the slab roller, and clay
extruder.
¥ Distinguish
and describe tools used.
¥ Learn
about glazes and their characteristics
¥ Learn
the basic skills of hand-building, such as pinch, coil and slab construction.
¥ Engage
in the process of creation by exploring one's ideas, thoughts, and feelings.
¥ Engage
in class discussions, and critiques. * See critiques, under grading policies
¥ Participate
in studio responsibilities such as cleaning up, loading and unloading kilns.
¥ Identify
and define terms commonly used while making art and working with clay.
¥ Respect
others in this class as well as the rest of the studio community.
¥ Gather
a sense of the history of Ceramic Art, as well Ceramic Art being created today.
¥ Learn to research ceramic
techniques, history, and other topics using books and the internet.
Throughout
this course you will attempt projects that include the following topics.
Hand
Building - pinch,
coil, slap construction and surface or texture exploration.
Wheel - Throwing: coning, centering,
pulling, collaring, and trimming
Finishing/Glazing - Slips/Underglazes, Washes, Cone 10 Glazes
Firing - Bisque Firing, High-fire, Raku
Other Topics - issues, Critiques, Use of
Equipment, Historical Survey, Contemporary Ceramics, Raw Materials used and researching Ceramic Art on the
Internet.
Projects this semester (Everyone)
¥
Ocarina
¥
Rolling Stamps
¥ 5
Bowls made on the potters wheel
¥ 5
Test Tube Tiles
¥
Geometric/Ornate covered container
¥
Coil vases: pit-fired or saggar fired
Handbuilding Track
¥
Action T-Pot
¥
Hollow Plant Sculpture
¥
Decorative plate w slip and carvings
¥
Historically inspired sculpture
Potters Wheel Track
¥ 5
cylinders
¥ 5 vases
¥ 2 Plates
¥
Historically inspired form
Advanced Students may choose to do any of these assignments, but can also write a proposal to do their own assignments. See below (Students with Previous Clay Experience) for more info.
A
schedule listing all projects and due dates will be handed out next week. The
schedule is always subject to change, but here are some important dates to
remember regarding holidays, registration, and the last day to drop this class.
Fall Semester Schedule Ð August 16, 2004 Ð December 18,
2004
Aug 16 Regular
instruction begins
Aug 16Ð20 Late
registration
Aug 27 Last day to add a full-term class
Aug 27 Last
day to drop full-term class and get a refund
Sept 6 Labor
day holiday
Sept 17 Last day
to drop full-term class without a ÒWÓ grade
Sept 17 Last day
to apply for credit/no credit for a full-term class
Nov 11 Last
day to apply for Fall graduation
Nov 19 Last
day to drop full-term class (some classes have an earlier date)
Nov 24 Last
day to apply for credit by examination
Dec 13Ð18 Final Exams (Final Exam schedule available on 11/1, at
msjc.edu
Jan 10 Grades
available on Web (EagleAdvisor) and Phone
Structured
assignments will be given to the class during the semester. Meaning all students will have projects
due just about every 2-3 weeks.
Hands-on projects will usually be graded based on the following outline:
¥ Goals of the assignment
achieved ¥
Incorporated fundamentals of design
¥ Personal Growth / Improvement ¥ Degree
of comprehending assignments
¥ Preparation - Journal/Sketches ¥
Craftsmanship or quality of the work produced
¥ Timeliness - Due Dates Meet ¥
Evidence of your creative input into the project
¥ Critiques -
Participation/Presentation ¥
Degree of finish qualities within each piece
Assignments The instructor will demonstrate
each project, provide written instruction, and present any other visual aid
that may be applicable to the assignment. A due date will be given to you to complete each
assignment. Failure to meet these deadlines will result in a grade reduction.
In addition to the creation of clay projects, research, drawing, and written
work will also be assigned.
Second
Attempts: If a
student has completed an assignment on time and they are not satisfied with the
initial outcome, he or she may redo the assignment.
Critiques will usually fall on the same day
as the deadline for most of the assignments. Your ability to present and
discuss your project as well as your classmates projects will be evaluated and
structured into the figuring of your final grade for each project. The
critiques will be very informal, but make sure you do not miss class when a
critique is scheduled, unless you want to severely damage your grade. We will
have three critiques throughout the semester.
Studio
Participation
includes your willingness to help with studio chores, such as loading and
unloading kilns and cleaning up after yourself as well as for others.
Participation during discussions, and asking questions when they arise also
counts as a part of studio participation.
Journal/Sketch
Book: You are required to record information about
lectures and demonstrations I give in class. Beyond taking notes your
sketchbooks must include preparatory sketches of the projects assigned to you,
as well as, recorded ideas, thoughts, glaze documentation, and technical issues
you learn while creating each piece. You will be writing about one page a week,
beyond your sketches, notes etcÉ I will give you more written information
during the assignments as far as what to write in your journal. Not turning in
your journal will result in a grade reduction of one letter grade.
Extra
Credit: Throughout
the semester students will get one, possibly two extra credit opportunities.
All students may choose to partake in extra credit but may not choose to do
extra credit instead of an assignment. Each extra credit assignment is worth a
total of 10 points.
Exams: There will be no written final
examination. Instead, a final critique will be held during the designated final
exam period. Although there will be no final exam, a quiz or two during the
course of the semester may occur. A mandatory cleanup day at the end of the semester will
also play a part in determining your final grade.
Attendance: Attendance is mandatory! If you
think this class is one you can miss often, come to late, or leave early, you
are sadly mistaken. Ask anyone who has taken this class before and they will
tell you how much time it truly takes to create a successful project. The
demand for this class is very high so please drop this class today if you think
you will be missing more than three classes throughout the semester.
Demonstrations
and lectures will be given during just about every class period. If you have to
miss class, please notify me during the class prior to the day you are going to
miss, so I can make a note of it. It is your responsibility to find out what
you have missed. Again, It is necessary to attend each class in its entirety -
cleanup will begin 15 minutes prior to the end of class. Instructor Drop Ð If you miss 3 classes in a row the
Instructor reserves the right to drop you from this class.
Drops:
If you stop coming
to this class donÕt rely on the instructor to drop you because I may, or may
not, chose to do so. Make sure that you are dropped from the course before the
deadline date to drop, donÕt assume that I will drop you. If you fail to do so
you may end up with an F at the end of the semester.
Making
up work In order to
get credit for a missed critique you must write a one page paper that self
critiques your projects for that critique. If a class is missed you can come in
during open studio to catch up on work, but you will not receive credit for
that missed class.
Cheating:
You may ask how do
you cheat in ceramics? Well here are a couple of examples of cheating that will
get you in trouble. Another student makes your project for you. Or even worse,
you put your name on someone elseÕs project and hand it in as yours. This will
result in an automatic failure of the assignment. If you are caught cheating
more then once you will automatically fail this course and other disciplinary
action will be taken by campus administration.
Signing
your work: You must
put your first and last name on each piece you make, if you do not sign your
work it will not be fired, therefore, it will not be graded, so please remember
this, its for you own protection, trust me.
Grades: All of the above topics will be used in calculating your
grades.
Students
with Previous Clay Experience: If you consider yourself to be a
intermediate or advanced student of clay and you have never had me as an
instructor before you still must do and complete all the class projects to be
successful in this class. If you would like to work on a couple of projects
beyond what I give to you that is fine. Unfortunately your extra projects may
or may not get fired due to lack of kiln space and lack of a budget that simply
doesnÕt provide us enough money to fire projects beyond the scope of this
class.
AndyÕs
Returning Students:
There are many pathways to choose from when working with clay, such as throwing
on the wheel, functional hand-building, sculpture, and tiles, just to name few.
That is why as one my returning intermediate or advanced, students, you do have
the freedom of choosing your own projects unless I direct you otherwise. You
are expected to at least keep a pace similar to, if not more, than the class
projects I present in class. Due dates and critiques for beginning and higher
level students will correspond. Two written proposals will be due throughout
the semester, these proposals will deal with your research ideas, pathways, and
your goals. This form can be found at http://www.claystation.com/forms/proposal.html
More
advanced level lectures and demonstrations will be provided on every other
Wednesday. Demonstrations may include: making plaster casts, slip casting,
advanced throwing techniques ( large sectional pots and coil thrown pot
methods), innovative hand-building techniques, advanced finishing techniques,
and issues pertaining to contemporary ceramic artists. You are expected to
participate in these demonstration, and lectures, as well as, all class-wide
critiques.
(Due
to a few students in the past who took advantage of this studio I have written
the following policy that will be strictly enforced!) This class is designed to provide an
environment where you can explore,
experiment, learn, and evolve. Any student not showing any signs of these four
attributes will be dropped from the class or an F will be earned on your grade
report at the end of the semester. If you are in any way profiting by taking
this course you will also be dropped from the course and a letter will be
written to the dean to permanently ban you from taking classes in the MSJC
ceramics departments. You may not
sell any of the ceramic work you make in this class in private galleries or
fairs. Although, applying to juried shows, participation in school related
shows and clay club sale events, are encouraged.
Over
the past couple of years I have created many tools for my students to find
information on Ceramic Arts on the Web. Here is a list of direct links that
will provide you will all sorts of tools and resources.
¥ ClayStation.com -
http://www.claystation.com - A huge web site containing info on
hundreds of techniques, glaze recipes, ceramic history, hundreds of links to
ceramic art images for inspiration, and much, much more.
¥ The Ceramic Arts Education Center -
http://www.claystation.com/education - a guide specifically designed for
students of clay.
¥ Ceramic Art - Book Store -
http://www.claystation.com/books.html - an on-line book store with hundreds of
ceramic art related books.
¥ Tools for Working with Clay. - http://www.claystation.com/technical/tools.html
- purchase a variety of tools specially designed for working with clay.
A
textbook is not required for this class. Instead, handouts will be given out covering various
topics, during the course of the semester. If you are interested in purchasing
a resourceful book on ceramics here are several I recommend. You can purchase
all these books from my web site at http://claystation.com/book
¥ The Craft and Art
of Clay - Susan Peterson
¥ Working
With Clay Susan Peterson
¥ The Complete
Potters Companion Tony Birks
¥ Hands in Clay
Charlotte F. Speight Ð John Toki
¥ Make it in Clay Charlotte F. Speight - John Toki
¥ Ceramics, Mastering the Craft - Richard Zaki
Other reference materials, such as magazines, more books and
videos are available at the MSJC Library.
¥ Ceramics Monthly (Magazine)
¥ Making Marks by Robbin Harper (6
Videos)
¥ Form and
Function (5 Videos)
¥ Clay Times
(Magazine)
Materials Required
¥ Tool Kit (Bookstore)
¥ Clay Receipt (Bookstore)
¥ Journal Sketch Book
¥ Drawing Pencil
¥ Garbage Bags
¥ Small Container with lid (8-16oz)
¥ Assorted Brushes (Bamboo
watercolor brushes)
¥ Appropriate Studio Clothes
(clothes you arenÕt afraid of getting dirty, or wear an apron or and oversized
shirt that fits over your clothes.)
¥ Scoring Tool (fork, comb, or
Flexible steel toothed rib)
¥ Things to create texture (a rock,
broken brick, bark, textured cloth, spring, thick rope, textured hard plastic.)
¥ Bucket/Container
¥ Old towel
¥ Spray Bottle
¥ Wooden Spoon
¥ Hake Brush 1-3 in.
¥ Other Kitchen Utensil